Why I Committed to Daily Blogging

I could have written this post when I started my blog back in July. The reasons for my commitment are the same. Now, though, I have over 140 blog posts since July 2 and over 60 days of daily blogging.

I’ve had times in the past that I committed to daily writing. Every time I eventually missed or skipped a day, and that made it hard to start again. I wasn’t writing publically, but I was writing.

I haven’t let that happen to my blog.

I write every day. I’ve made it non-optional. I am obligated to myself to write a blog post. Every. Single. Day.

The internal motivation is just as important as the results. If you can decide to do something and come through even when it’s just for you, what could you do for others?

I said on Twitter at some point, “I set out to write every day and I stopped doing it. Now I’m going back to that habit. I’m not a writer if I only write when it’s easy.” There will be hardship and trouble. I have to be willing to stand up and push on when that happens.

I have read a lot of writing advice, blogs, books, watched videos, etc. The one piece of advice I’ve seen the most in the last seven years is to write every day.

The best and quickest way to see improvement is to write every day. There’s no way around it. That daily practice applies to other art forms as well.

To demonstrate the improvement, compare my early post Struggling to Organize my Poetry Manuscript to my more recent post Organizing a Poetry Collection: What I Learned. The first is not a great blog post at all, and not great writing either. The second is a better blog post and better writing more generally. I picked those two posts because they are on the same topic, making them easier to contrast.

I’ve made improvement just over the last few months, as you can see. Other Praxians found marked improvement in their writing just from the beginning of the 30 day blogging challenge to the end. This isn’t just my experience, it’s the experience of Praxians and of the authors you know and love.

There were promised benefits of daily writing from the creative writing communities I’ve engaged in. Writers aren’t joking when they say if you want to be a writer you need to write every day. The most frequent complaint is that doing it every day without fail makes it feel like work.

Anyone who is seriously pursuing art will have to work. It is work, it will feel like work, but it is the most rewarding work I have ever done. Anyone who wants to have a shot at making money doing their art probably has to practice every day. The only writer I’ve heard about that made a lot of money and didn’t write every day is F. Scott Fitzgerald. He’s the exception, not the rule.

If you want to be any kind of artist, practice your art!

 

What I’ve experienced:

More inspiration more often — ideas and motivation for writing. Spurts of energy and artistic genius that are fleeting. That’s actually how I started this post. I read the Praxis email welcoming me to Module 3 and just knew, I needed to write about why I committed to daily writing.

Greater ability to write without inspiration. It’s not always bad, but I sometimes go into my blog posts without knowing what I’m going to write about that day. Sometimes I’ll get struck with inspiration, other times I have to fend for myself. It’s harder, but I can, better than before.

More ideas for blog posts and creative writing. By committing to daily writing, I’ve had to find ideas when I didn’t already have any. I’ve drawn on Recap posts for this, but I’ve also set out to write those intentionally. There are so many potential ideas, I just have to find something to unlock a new idea in my mind. Sometimes it’s for a story, other times a post for my blog, or for Over the Invisible Wall. It’s gotten easier to write when I didn’t go in with an idea.

Increased sense of productivity — not because I was being unproductive before or that it allows me to excuse wasting the rest of the day. Writing every day has encouraged me to do more every day. I started blogging daily, I should revamp my daily poetry writing. If I can do that, why don’t I work on other projects every day? It escalates. The more you consistently do every day, the more you can do every day. As soon as I gained some efficiency in daily blogging, I found myself with more time and wanting to write more.

Clearer writing — it’s easier to follow my topics and I’m better at keeping a blog post focused. Instead of ultra-casual topic switching like a conversation with an old friend, I have a focused discussion with the reader on the topic at hand. My recent series on self-publishing is a great example of that. I stay on task, keeping the post exactly where I intend.

Clearer articulation of my thoughts. I can more easily express what I think about a given topic. I had a lot of trepidation, but I wrote and posted Why I’m Not a Christian. I had an on-the-fly, unexpected conversation about religion with a co-worker yesterday. I was able to eschew fear. I’d already publicly shared my position anyway. I’m in the middle of writing a tough post on eating meat for Over the Invisible Wall. I have to write down exactly my line of thought so I can refine it into a cogent argument. It’s hard, but I’m getting there.

 

Some notes on it:

I knew going in that my writing would improve. I’d read about other improvements as well. Now I’ve experienced them. Every experience I read about from other people who did the 30 day blogging challenge had this in common. Without fail, writing every day improved the quality of writing.

I chose to go into an endless daily blogging challenge because I am a writer. I want to turn my passion into my career, and I have to improve as much as possible. I have to treat it as my job even now when I make no money. Sure, I’ve sold 3 copies of my poetry collection, but I spent more self-publishing than I got back from that.

I’m building up my body of work. The more I have made, the more I have to draw on later, and the stronger a signal I send that I can deliver. I write and publish every day. I have some work that took longer to make, and I’m open about how long it took to do it.

I’m teaching myself that I can do it. I’m giving my brain a lot of positive experiences. I wrote a blog post yesterday, I can do it today. I finished my poetry manuscript in two weeks, I can make another poetry collection in that time. The more I do this, the more I can beat imposter syndrome, the more I can conquer harder, more daunting projects.

Practicing my craft every day is the most valuable habit I’ve built recently.

Aďvúrun, a Plant in N’Zembe

I created a few plants while writing The Diary of Kaashif Sarwan. Today I spent some time sketching one of them, aďvúrun (athvurun).

Aďvúrun is a ground-cover plant like grass on earth. It is found on Fohrtiil, Qarlilian, Arshilkrin, Slyrpfyrn, Xhorgliff, and Irqulnirn.

Athvurun seed

 

It starts life as a tiny seed, only 3mm long and 1.5 mm wide.

About three days after lodging in soil, two small shoots break out, one that will become a root and one that will break the surface.

 

Athvurun sprout

 

 

 

Another six days and it has a 4 mm coil above ground.

Six or seven days later, it unfurls.

 

 

 

 

Athvurun matureAthvurun flower.jpg

Two weeks later, it matures, producing a flower. It will either be male or female, and produce it’s flower accordingly. Once the female flower is pollinated, it will produce a small red berry containing the seed.

Wind is the primary pollinator Aďvúrun tends to grow in large groups, creating a “carpet.” Sometimes the flowers may brush against each other and not need the wind. Additionally, there may be some animals similar to insects on earth that act as pollinators. I haven’t created any animals yet, so this information will need updated later on.

 

The Nature of Inspiration

For day 50, I started a new series Behind the Scenes to give a look into what inspired my fiction. That post was about The Diary of Kaashif Sarwan (that links to part 1/3), my recent novella.

For Praxis this month, not only are we blogging every day, but we are reading The War of Art by Steven Pressfield. It is a collection of short essays on the resistance everyone faces regarding their calling in life, how to beat it, and part three is called “beyond resistance.” After I finish the book I will write a Recap post on the book.

I’ve been thinking a lot about inspiration lately, in part because I’m reading The War of Art, but also because of Inside a Writer’s Head and drafting a piece about why I blog every day.

I frequently get random, sudden ideas for a piece of writing, new or in progress — this is what I call inspiration. I have little control over what ideas it gives me or when it presents them.

What I do control is  my response. I either accept or reject the idea. Then I either use it, lose it, or record it.

I’ve gotten ideas from shows, movies, video games, advertisements, research, books, short stories, articles, blog posts, conversations, and more. My brain takes the input and says, “Hey, we could use that combined with something else or modified in this way and write about it!” for fiction. Or it says, “We should respond to this, or share this information, or write something combining this with the other information we have on this” for nonfiction.

It can be really messy sometimes. Sometimes I have the skeleton of an idea and no clue how to flesh it out.

Based on my experience, inspiration seems to come from my subconcious working to connect things and when it finally does, it feels sudden and unexpected. Because I’m not conciously working to connect, say, elephants, time travel, and romance, inspiration strikes when my brain does connect them.

Inspiration is usually an idea, but sometimes it is a sudden overwhelming desire to write. It’s a compulsion to sit and pound out words.

I felt this very strongly after the first Praxis Wednesday I attended. We met with Rob Goodman, who co-authored A Mind at Play, a biography about Claude Shannon. I recommend this post from Jimmy Soni, his co-author about their experience writing the book. I was inspired by Claude Shannon’s life and the focus he had on his work. I felt compelled to get to work on my writing.

This is a more infrequent form of inspiration for me, but it does happen.

When I get inspired, I’m infrequently able to write at that exact moment. That or I recognize that I shouldn’t start a new piece of writing yet. I have a lot of stories that are in progress. Too many. So often, when I get a story idea, I shelve it for later on.

Overall inspiration can be complicated and unreliable, but it can also be really helpful when I’m feeling stuck and need new ideas.

My Views on Authorial Intent

In my video reading poems from Inside a Writer’s Head, one of the poems prompted me to think of the authorial intent vs readers’ interpretation debate. This tends to be primarily in the realm of written work, but it could also apply to shows, movies, and other media.

In this post, I’m going to focus on my views as it relates to my own work, as that is the main application for me.

My take is a middle-ground, mixed perspective. There is support for both sides, and historically which side prevails has flip-flopped. For a long time before the recent rise of fanfiction authorial intent was king and readers’ interpretation was of lesser importance or didn’t matter at all. What the author meant by their work was what mattered, not how you or I interpreted the work to mean or convey.

I don’t think there is a dichotomy or that we have to pick one.

Both what the author intends and what the readers interpret in a given work matter. They’re both important and give insight into the work.

For example, if I employ heavy color-driven symbolism in a work to speak to characters’ emotional states or journeys, that’s my intent. If you read that story and don’t pick up on the symbolism, you’ll interpret the story based on what you did pick up on, possibly including other symbols I didn’t intend. Someone else could pick up the color symbolism and interpret it differently than I intended. There is support for all of these. None of these is “right” and the others “wrong” per se.

Everyone has different experiences, different perspectives that they bring to a work. What I bring as the author is not the same as what any of my readers bring.

Because of this, there will be different interpretations of a work. What speaks to me in a book may not speak to you. What I think is the most important part of my story may not be the most important part to you. I can hinge the plot on it, but there could be subtle elements that give a reader argument for something else being more of a driving factor.

My main point in that is art is not cut and dry or straightforward. It speaks to people in different ways based on the influences in their lives that change their perspective.

When I was twelve I got into fanfiction, both reading and writing it. That has undoubtedly influenced my perspective on this debate.

I’ve read fanfics in which I really enjoyed an unconventional take of a character and fanfics in which I really hated it. It adds so much depth to a work to see the characters in different contexts or interpreted differently or in situations they didn’t experience in canon.

Additionally, it gives writers practice maintaining consistent characters of all stripes. It is largely an outpouring of love for a given work, and it’s hard work. Sometimes fanfiction is harder to write than original work, becuase of the confines of the existing work. Keeping characters to bounds set by someone else is difficult.

Lastly, I’ve come to see fanfiction as comparable to free advertising. I have found new books, shows, and other work because of fanfiction. I’ve read fanfiction that was not obviously branded as such by the title that was fantastic and sparked interest in the characters and where they came from. And it was done for free. No one paid that writer to spend their time and effort on fanfiction. They chose to do it because they love the characters and the original work.

I can see and understand both sides of this debate in large part because I’ve written and interacted with original and derivative works.

As far as my own work goes, it’s open to interpretation. I have what I intended, but you have what you bring to my work and may take away something else. I’d love to hear about that. I want to be open about what I intend as well as open to readers’ interpretations.

Module 2 Project Wrap-up

This post will be updated on the 30th with any new information about my project.

It’s the last week of my portfolio project marketing my poetry collection.

I got my copies of Inside a Writer’s Head in the mail before expected, and I’ve sold three copies. I set up my sale page to direct people to last Wednesday, but haven’t gotten any sales through it yet.

I sold a copy to my boyfriend, my local library, and some long-time friends of mine. I’m sending a copy to Jacob Beman as a thank you for designing the cover.

I’m expecting more sales after I announce the giveaway winners, because every entrant is getting a coupon code for my sale page. If you haven’t entered and want a chance to get the ebook for free, check out the giveaway page. It explains how to get four different entries to maximize your chances of winning.

The main video this week is a reading of some poems from the collection. I’m editing the two short videos I made reading related poems today. They will be up by the end of the month for sure, but I’ll be working on getting them out today.

I started my Instagram at the beginning of the month. In that time I’ve gained 47 followers. I’ve posted once a day every day.

On Twitter:

Twitter Followers.png

On Facebook:

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I posted every day on Facebook and Twitter as well. I shared the images from Instagram and most days I also shared my blog post for the day. This week that was poems from Inside a Writer’s Head.

At the end of this month I will have created 6 Youtube videos, hit 61 straight days of blogging, run a giveaway, increased my social media presence, and sold 3+ copies of Inside a Writer’s Head.

I structured my week fairly loosely. I created the blog post(s) for the week first, as they would serve as a base for the video(s). For most of the month, I didn’t plan my Instagram posts, and read through my poems to choose lines for the images every morning. This last week I had already selected which poems were going on my blog, so I shared those on Instagram, Facebook, and Twitter to tie everything together.

I typically spent 2-3 days shooting and editing video. It could have taken less time, but devoting time around my job it took that time. Some of the videos took less time, because I had less video to edit before it was done, but one week the video was 17 minutes to start, and one of my videos reading poetry was initially around 20 minutes.

I really learned how to make a single, coherent, focused product through video making and through the daily blogging exercises I’ve been doing. I have to keep a video focused on the topic of that video. I have to keep a blog post focused on the topic for that blog post. To do that, I have to center myself and my thoughts on that topic and focus myself on it so I produce content that stays with my chosen theme.

Next month is the writing month in Praxis, so I will continue my daily blogging. I also plan on running another giveaway, this time with more possible prizes including the Inside a Writer’s Head ebook, a pdf of my novella The Diary of Kaashif Sarwan, coupon codes for the poetry collection, the bonus content, and maybe another mystery prize. I’ll also continue making at least one video/week.

[Authorial Present] Dream Investments (Poem)

This is a poem from Inside a Writer’s Head. Read more from and about the collection here.

What if I begin

to write once again?

To refine my craft

each day with time?

I’ll find myself,

one day, with such a store

of experience and writings,

Oh! such galore!

I’ll not regret that time well-spent

My investment in

my authorial present.

For a writer’s not born

with talent and skill,

but honed and created

through the daily toil.

[Clarify] Dead Men Cannot Defend Against False Claims

This is a poem from Inside a Writer’s Head. Read more from and about the collection here.

One day I might have need

To clarify what I mean

By various lines, or

Works, or kinds

Of characters and events.

Surely I’ll be misinterpreted,

As authors all must be,

Especially when they’re dead

And can’t explain their meaning.

“That is not it at all,

That is not what I meant, at all,”

May be what I must say,

And then they’ll ask

For an explanation,

Which I’ll surely be happy to give.

I’ll answer the questions,

Set the tale right,

Be interpreted as intended.

But how convoluted

Will their claims be

After I’ve lost all my hair,

Or any simple flair

Identifying me as an individual?

I didn’t note this in the collection, but the quotation is from T. S. Eliot, from his poem “The Love Song of J. Alfred Prufrock.”