Some things can’t be said in words,
not even in your thoughts,
it simply can’t be expressed that way.
Why do I so often
write poems about poems?
Why can those words
not stay locked inside my head?
I don’t know,
but they find their way to paper
on their own when they make a flow,
a river of words
etching into my mind,
my internal fabric.
Sometimes past poems
will flow again, partially,
never in whole.
Yet somehow I avoid writing
the same lines twice.
Amazing how that can be
when sometimes creativity
it is fleeting and fleeing.
But something springs up,
gains life and warmth,
later depth and breath,
gaining a voice I cannot control.
The words, the words
on their own
have always flowed
without my personal intervention.
I don’t know how,
though I may have said such before,
I cannot place quite when.
The words are
but the sands of time
is all they bring.
This week has been the most problem-free so far, but still had its challenges.
I mentioned in my first project update that I had problems with my proofs from BookBaby. I actually found a new problem in the new proofs they sent me.
I had written the acknowledgements before I knew who was designing the cover for Inside a Writer’s Head. I thought I’d be working with Alexandra Wagner, so I wrote her name in. I ended up working with Jacob Beman, as I’ve mentioned. That was great and I shared that information. But I forgot to update the acknowledgements.
I noticed that it was wrong and had to message the BookBaby support team to figure out how to resolve it. I submitted a new book file, and they agreed to fix that one mistake in the ebook for me. They have a fee for additional changes or for submitting a new file, but they made an exception because it was just one mistake.
I got my new design proofs back, and I should get the books I ordered by the end of the month. I’m still not entirely sure when the ebook will be available for sale, though.
Last week I had the idea of running a giveaway of the collection. I acted on that the day after having the idea and posted about it on Instagram. I made it possible for any person to have three changes to win, one from each social media platform I’m on — Facebook, Twitter, and Instagram. To enter people have to like and share the post and follow my account on that platform. Then I send them their entry number(s) as a direct message.
Right now I’m tracking entries in a spreadsheet recording the person’s username, the platform(s) entered on, and their entry number(s). I also expanded the possible entries to my blog and pinned the post with the explanation of how to enter each way. So far only four people have entered. I’m trying to keep talking about it so people will be more likely to see it and enter. I mention it in my photo posts with poetry quotes on them.
I’m not sure if my audience is currently too small to run a successful giveaway or if people don’t care or both. That’s something I’ve noticed about my project. Because I’m just starting out building my platform and interacting with people on social media and sharing my work more, I have a small audience and very little incoming interaction. 26 people like my Facebook page, 27 people follow me on Twitter, and 41 people follow me on Instagram. I get the most interaction on Instagram, but I feel more limited by the necessity of images. I need to practice creating photos for my blog posts in order to promote them on Instagram as well.
I’ve realized during this project and from the Praxis Wednesday last week that I’m really building my creative brand. I initially wanted to sell my poetry collection, but it’s not available yet. Yes, I’ll be selling a product, but to interest people in that product, I have to sell them on me and my work more generally.
Because of that obstacle, this has morphed a bit in my mind into building creative habits, connecting with people on social media to sell myself and my blog. That will take time. It aligns with my longer-term goals of being a freelance writer or making money doing creative work.
For the video and blog content directly tied to my project, I talked about how I completed my poetry manuscript in two weeks. I made a video on the same topic, which is embedded in that blog post.
Next week, which starts Thursday, I plan to post some of the poems in Inside a Writer’s Head to this blog, so stay tuned! I want my video to be me reading those poems.
I’m thinking about posting recordings of me reading my work, from Inside a Writer’s Head, other poems, and short stories to SoundCloud, but I’m not sure if it would be worth the time. I also found out that there is a 3 hour upload limit for free accounts, which may be a problem if I do pursue this.
I chose and gathered together the poems for Inside a Writer’s Head several months ago. I tried a few times after that to organize the collection to no avail.
Part of that was my own fault, for trying to organize the collection while choosing the poems, but I also had no idea where to start.
Cue the guiding hand of the Praxis program. I was only one week into Module one when I started thinking about my portfolio project for this month. I talked with Hannah Frankman, the module one advisor, about my goals for the program and how it played into my longer term goals. I initially wanted to finish and publish Inside a Writer’s Head for my project but was advised that a better project would be to market it.
I had my work cut out for me. It was hard at first, and I had to do some research to get some ideas.
To help eliminate the block I had created, I deleted all the section names I’d added. Then I started reading and moved poems around as I did so. I familiarized myself with the poems such that I got ideas for sequences and poems to put together. As I read through the collection more and moved the poems around more, it got easier.
I amazed myself by finishing the manuscript in one week instead of two.
In order to do this, I put my other projects on hold so the poetry collection would be ready for this month.
I also scrapped my initial plan of designing the cover myself. I knew it would take me more time than I had to play around with options and create a design I was happy with.
I reached out first to Alexandra Wagner, a Praxis participant in my cohort. She said she would be unable to complete it by the time I needed it. I asked for suggestions of who to work with and found Jacob Beman. He has a website where he sells clothes with designs he created, and I liked the style and nature of his work. He agreed to work with me and did a really great job on my book cover. I reviewed his work here.
Three things allowed me to have a self-publishing-ready poetry collection: Focused work, a deadline, and finding the right designer.
If you can focus on the project you intent to complete instead of jumping project to project you will surprise yourself how quickly you can complete it.
The deadline for completing the project seemed really tight and super hard to meet. I pushed myself to finish quickly and surprised myself with the speed of my work. If I hadn’t had the extra push to finish the collection before November, it would have taken me longer. If it had been less urgent, I wouldn’t have been as focused or as driven to complete it as quickly as I did.
Find a designer whose work you could see being a great fit for your vison of your book cover and who is excited to work with you. Both of those make for a great experience working with that person and lead to you getting a result you love.
Be sure to check out my Patreon. For $5 you get early access to part three of the Diary of Kaashif Sarwan and another post later this month as well. There are other rewards at every tier, so be sure to check it out!
This was the November 2018 Giveaway. It is now over. Abigail Hawley won the ebook, Brian Nuckols won the preview with bonus content. All other entrants got a discount code for the sale page.
I’m going to giveaway free e-copies of Inside a Writer’s Head. This post will likely be edited as I refine the nature of the giveaway.
On November 28th I’m going to use a random number generator to determine who will receive free e-copies of Inside a Writer’s Head in the form of an epub or pdf. There will be one winner per 30 entrants. I will also select one winner out of every 15 entrants to receive a preview of Inside a Writer’s Head containing four poems in the collection and poems that didn’t make the final cut as a pdf.
Ways to enter:
Like this blog post you’re on right now, follow my blog via email or WordPress account, and share this post on Facebook or Twitter. Send me the link to your post in the comments or email@example.com with the subject line Giveaway Entry.
For each of your entries, you will receive a message confirming your entry along with your entry number. These numbers are in the order in which I saw the entry and added it to my list of who entered where. Your confirmation is for your sake and mine to help me keep track of who has already entered.
I may add more ways to enter later on if this gets more popular or I find a better way to track entries.
The other day I shared that I had run into a problem with my project, specifically with the video for last week.
Yesterday I finished my edits and successfully exported and uploaded the video!
I have an older computer, and it was not cooperating with OpenShot long enough to export my video. I had to shorten it quite a bit before it exported the whole video. I cut out a lot of fluff while still getting my point across. Now that I’m aware this can be an issue, I can pay attention when I export this week’s video and not submit it late again.
Because I had this problem, I spent time solving it instead of working on other aspects of the project, such as sharing more on Twitter and devoting more time to writing my blog posts. The last couple days felt a bit thrown together, and I want to spend enough time on each post that it doesn’t feel rushed and like I didn’t give it 100%.
I started out making the images I post with Vintage Font, which worked really well, until the app wouldn’t let me save my design. I hit their ten free design limit and they wanted me to get a paid version. It was really expensive for what it is, so I deleted the app and went on the hunt for an alternative. I’m not trying to sell the design I make, I just want to create designs for Instagram that I can share other places using images I own. I wanted something free and simple to put text on my photos.
Unsure what to do, and having been unaware of Vintage Font’s paywall, I reached out to my friend Justine. She’d made some text images for me before, so I asked her about it. She suggested Font Candy. That has worked great the last couple days, and hopefully it continues to do so. If it doesn’t, I’ll include that information and the new choice in an update.
I started the giveaway, details in this post.
Become a Patron to get early access to blog posts, a free e-copy of Inside a Writer’s Head, or a signed physical copy of the collection!
I have hand-written most of my poetry, so poems were left-aligned and single spaced. When it came time to type them, I had them all centered. When preparing for self-publishing, I had to decide which way to present the poems. I chose to mix the two, depending on which I thought looked best. You have to make the same choice.
For an ebook, you will leave the margins normal for an 8×11 standard sheet of paper. If you’re self-publishing, as I did, you’ll need to know what file type to save your collection in. Bookbaby calls for a pdf. With Google docs you can also export a document as an epub file.
If you are using a self-publishing service, find out if the cover needs to be separate from the text file or included in it. If you plan to sell/give away/distribute your poetry collection yourself as a downloadable pdf or epub, you probably want the cover image in the document.
For a physical book, you should have some sort of instructions or a template from your chosen self-publishing service. You’ll need to adjust the paper size and the margins in a document editor.
This last part is what I misunderstood and had the most problems with. Adjusting the margins and changing the paper size of your document are not the same thing. In Google docs, go to File > Page setup, and you’ll see this:
The circled box is what you need to change. Depending on the dimensions of your book, you may not need the same option I have selected.
These are the main things you need to think about when formatting your poetry collection for self-publishing. I hope that was helpful.
If you have any questions about formatting a poetry collection or Inside a Writer’s Head, leave them in the comments below!
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